The Singing Sands: Dunes That Boom a Musical Note for Kilometres
Slide down the steep face of Nevada's Sand Mountain on a dry summer afternoon and, for a few disorienting seconds, the whole hillside answers back. Not the thin squeak that dry beach sand makes underfoot, but a deep, organ-like note that seems to well up out of the ground and hang there, low enough to buzz in your ribs. Press a palm flat against the slope and you feel it as much as hear it, a slow throb rising through the grains into your hand. Hikers reach for the same comparisons every time: a drone, a moan, a distant cello, a low-flying propeller aircraft passing somewhere below the horizon. The dune is doing nothing supernatural. It is singing, and it has unsettled travellers for at least seven centuries.
Somewhere around 1275, crossing the Badain Jaran dunes on the edge of the Gobi, Marco Polo described a desert that seemed inhabited. The air, he wrote, filled with the sound of instruments, drums and the clash of unseen armies, and travellers of his day blamed spirits of the sand who called men away from the caravan by name. Six centuries later Charles Darwin, ashore in Chile during the voyage of the Beagle, recorded the same astonishment at a bellowing hill his informants called El Bramador, the roarer, said to sound when the sand was disturbed. Neither man was inventing anything, and neither was alone. Medieval Arab writers, Chinese chroniclers and desert nomads across three continents all left the same testimony. Some of the world's sand genuinely sings, and for most of recorded history nobody had the faintest idea why.
Sign up and get your first month completely free — unlimited access to the entire archive, ad-free for subscribers. Cancel anytime.
Subscribe — first month free